fugitive frequency, season 5 episode 2: Dham Dham Foundations

Four figures peer into the screen of a laptop.

Dham Dham began as a three day workshop, “Thalaam Riddim Reapers” to introduce free digital music productions tools at DreamSpace Academy during Dinacon 3, 2022. In 2024, it evolved into a 10 day “bootcamp”, Dham Dham Riddim and in June 2025 it will rejoin Dinacon at Sea Communities and Les Village to lead a research Node, “Sonified Plastics”. This episode revisits conversations, field recordings and music made in Batticaloa to tease out some of the ideas and context that gave rise to the “Dham Dham Method”. Featuring the voices of: Dinoj M., Lucinda Dayhew, SajaS, Kishoth Navaretnarajah, Andrew Quitmeyer and Hannen Wolfe. Music is from the Dham Dham Riddim EP (2024) [Bandcamp], alongside recordings made in Batticaloa during Dinacon 3 and Dham Dham Riddim.

As suggested by Kishoth Navaretnarajah, co-founder of DreamSpace Academy, the “Dham Dham Method” is somewhat elusive but it is shaped by the role of music, (digital music) skill-sharing and cultural exchange in “peace-building” in post-war, post-genocide Sri Lanka. This is related to cultures of commoning, the use of free/libre and open source tools and informal processes of collective learning. This was necessary for the circumstances in Batticaloa, had already declared itself bankrupt by the time Dinacon convened there in July 2022, and was in the midst of a fuel, energy and political crisis, as President Gotabaya Rajapaksa was usurped just days after we arrived. Indeed, I propose that making technology accessible and malleable and developing digital literacy via music is foundational to the Dham Dham Method. It is inherently collaborative, open to differing skill sets and is all for having fun—which is crucial to the learning process. And as Dinoj and SajaS discuss, it promotes reciprocity—once you have learnt something you are encouraged to pass it on.

An important aspect arose from the enthusiasm of participants in Dham Dham Riddim. This might simply be due to making time and space and finding a legitimate reason to pursue people’s passion in making music. This is something that Dinacon co-founder Andy Quitmeyer touched on during a address delivered at DreamSpace, where he expressed his frustrations with academia because it put up so many obstacles to simply pursuing one’s curiousity.

Passion, enthusiasm and curiousity are also an ideas that DreamSpace invests in, as it encourages and facilitates a post-war generation to pursue their interests in order to become “change-makers”, empowering themselves and their communities. For DreamSpace and Batticaloa, this is inherently entrepreneurial as there is a need for youth to make an income and local opportunities are slim. So, leveraging the affinity between people who share similar interests is crucial to developing friendships, networks and opportunities, and underscores the Dham Dham Method. “A bunch of weirdos hanging out together” is how Luci phrases it, or as Dinoj M. puts it: “working together to get things done.”

fugitive frequency, season 4 episode 3: The Dham Dham Method

Participants in Dham Dham Riddim are clustered around computers and MIDI controllers.

A conversation between Dinoj M [Instagram] and SajaS [Instagram] of DreamSpace Records, artist Lucinda Dayhew [Instagram] and myself, Sumugan Sivanesan. Together we co-organised “Dham Dham Riddim”, a nine-day intensive music production “bootcamp”, held between 21 and 29 February at DreamSpace Academy, Batticaloa, Sri Lanka. The workshop sought to introduce people to digital music production across a series of sessions that progressed from field recording to sampling, from rhythm programming to lyric writing, and then on towards making a song that will contribute to a compilation album or EP. It emphasised using free, open source and accessible tools, with a focus on the digital audio workstation, Reaper. It arose out of a three-day workshop “Thaalam Riddim Reapers” we organised at DreamSpace Academy as part of Dinacon 3, 2022.

The episode also features the voices of participants in the programme including: Sivanathan Nivethika, Rameshkumar Sathursaan, Sajanthan Vasanthakumar, A.H.M. Asaath, A.S. Sajeeth, Thavarasa Jeyashanth, Velrajan Rohan, Ravichandran Jeroem, Chandrujaan Sathiyamoorthy, Yash Kirirajah, Kabilashini Balakrishnan, Anantharajah Ajai, Mokeethan Sathiyamoorthy, Suresh Ashwin, Raviraja Rishahari, Sakithyan Jeyakumar, Christy Suthakaran Abiyashap, Christy Suthakaran Joshua, Joseph Jesreyal Jeyashanth, Dinoj Mahendranathan, Sajani Sivasithamparapillai and Nirushika Pragash…I hope I’ve not missed anyone!

Lucinda Dayhew and Sumugan Sivanesan’s travel was funded by Goethe-Institut Germany.

Media

fugitive frequency, season 2, episode 8: Dinacon@DreamSpace – Kishoth Navaretnarajah

A photo of a stencil sprayed wooden board announcing Dinacon 2022 at DreamSpace Academy in Batticaloa, Sri Lanka.

This episode was made during Dinacon 3 Digital Naturalism Conference in July 2022, hosted by DreamSpace Academy — a grass roots organisation focused on peace building through challenged-based learning, innovation and impact venture building in Batticaloa Sri Lanka.

It features an interview with DreamSpace Academy co-founder Kishoth Navaretnarajah (Instagram), alongside the voices of other Dinacon ‘dinasaurs’ including founder Andrew Quitmeyer (Instagram) and Hannen Wolfe. There are also snatches of speeches delivered by DreamSpace Academy co-founder Aravinth Panch (Instagram) and co-director Anna Jeyaraj Moses.

I must make special mention of DreamSpace’s Music Lab, organised by Prasanna
Sivagnanam and Dinoj Mahendranathan where I focused my time. Extra special thanks extends to all who participated in the many spontaneous jam sessions and singalongs, whose voices also make a significant contribution to this episode.

‘Metal Walk Riddim’ is a new track made by Dinoj Mahendranathan building on the Thaalam Riddim Reapers workshop devised in collaboration with Lucinda Dayhew (Instagram), Brendy Hale (Instagram) and delivered with contributions from Ashlin Aronin (Instagram).