fugitive frequency, season 6 episode 7: DHAM DHAM cycles

Poster for "Thaalam Riddim Reapers" workshops by Brendy Hale. At Dinacon 2022, DreamSpace Academy, Batticaloa, Sri Lanka

Initiated as a 3-day workshop, “Thaalam Riddim Reapers”, at Dinacon 3 Digital Naturalism Conference at DreamSpace Academy, Batticaloa 2022, it expanded into a 9-day “DHAM DHAM Riddim” Bootcamp at DreamSpace in 2024. In 2025 it evolved as the instrument building-project “Sonified Plastics” during Dinacon 2025 at Sea Communities, Les, Bali  and it will soon arrive in Berlin as an 8-day intensive at 90mil, 20–30 July 2026.

“DHAM DHAM cycles” features conversations with collaborators [all links to Instagram] Luci Dayhew, Dinoj M, SajaS in Batticaloa and Pipin and Wira, in Les, and Sanjey Sureshkumar who founded SASUSU Radio in Tromsø, Norway. It also features the often singing voices and music produced by of numerous participants including: Yash, Abhi, Kabi, Sakithyan, Wilan, Naya, Rangga and many more. Also included is a short interview with Putu Eka Darmawan, an entrepreneur and inventor of a plastic recycling system in Bali.

“Thaalam Riddim Reapers” poster by Brendy Hale, 2022.

Music featured in this podcast includes:

fugitive frequency, season 6 episode 3: DreamSpace Records presents “Samugathin Kural”/Voice of the Community

DreamSpace Records presents “Samugathin Kural”/Voice of the Community.

All links below are Instagram!

An audio document of an event “Sumugathin Kural”/Voice of the Community” organised by Dinoj M. of DreamSpace Records at DreamSpace Academy, Batticaloa, Sri Lanka, 6 February 2026. This podcast features in chronological order: Yash & Abi performing “Wings of Life”, Sakithyan J performing “Uyir Thamizhaa”, Ajai Rajah performing “Mattu Nagar” followed by an “interactive” jam session/sing-along! It closes with Dinoj M. and myself perfoming “Boomi Azhugudhu”.

fugitive frequency, season 6 episode 2: Pongal with SASUSU Radio


This month’s episode is an edited rebroadcast of a live event organised by SASUSU Radio in Tromsø, Norway. It took place on Friday 16 January 2026, during Pongol, a harvest celebration in the Tamil month of Thai that is like a new year. The event was organised as a fundraiser for flood relief in Sri Lanka, in the aftermath of Cyclone Ditwah which made landfall in late November 2025. You’ll hear from: Sanjey Sureshkumar, founder of SASUSU; Anuradha Gayanath Abeykoon Jalath Pathirana a Sri Lankan living in Tromsø; Dinoj M. [Instagram] musician, artist and head of DreamSpace Records, Batticaloa and myself.
Many thanks to radio technician Grusha Pankert and Magnus Skei Holmen who cooked for the event.

We debuted a collaboratively made track produced as a “digital gift” for contributors to the flood relief campaign. Feel free to download and share:

fugitive frequency, season 5 episode 10: Wahid Al Mamun & Bureau of Race Neutrality Singapore

What God Took Your Legs Away

This month’s episode is a recording of a sound and spoken word performance by Singaporean poet Wahid Al Mamun [Instagram] and the Bureau of Race Neutrality Singapore [Bandcamp] at Sing Lit Station, 5 August 2025. It occurred soon after the launch of Wahid’s first book of poetry, What God Took Your Legs Away (2025) on AFTERIMAGE press. The improvised pieces documented in this recording recall the so-called “Little India Riots”, 8 December 2013. Sparked by a fatal accident at a bus terminal the unrest implicated numerous migrant workers. One cosequence was the building of a special bus terminal for migrant workers, which many argue is an example of hostile architecture. The performance is followed by a Q&A, and a montage of recordings made in the streets of Little India round off this podcast.

fugitive frequency, season 5 episode 7: Electronox, RURUradio

An overhead view of four people gathered around a table for a soldering workshop. The table is scattered with basic electrical tools and overflowing ashtrays. Behind the table is a trolley sound system with a sign that reads "RURUradio".

This month’s podcast is an edited re-broadcast of a discussion and workshop organised with Rifqi [Instagram] and Aldoo [Instagram] for Electronox [Instagram] on RURUradio [Instagram]. Also on board were Adythia AKA Individual Distortion [Instagram], Dylan and Morell. It occurred on Wednesday 18 June when I was a guest of Gudskul [Instagram] in South Jakarta. Good times!

It’s a little late getting online because Dinacon 2025.

“Singing Medicine” for Tina Coupé, Supergau magazine

A hatchback car is converted into a karaoke box with streamers and decal flames for Lola Göller and Flavio Dengen’s artwork “Tina Coupé”

Karaoke Theory/Karaoke Therapy reprised as “Singing Medicine” for Lola Göller and Flavio Degen’s participatory artwork Tina Coupé for Supergau Festival’s magazine.

Tina Coupé is a mobile party machine, pop-up karaoke booth and participatory art intervention devised by Berlin-based artists Lola Göller and Flavio Degen. Where ever it pulls up, bystanders, interlopers and art goers are invited to sing along with karaoke videos that they have likely never seen before. These music videos, made in collaboration with artists and communities, have evolved since the Covid pandemic when friends would get together to sing online. Tina Coupé adopts the phenomenon of karaoke as a globalized, cross-cultural and popular social practice, to address issues of space, accessibility and economic precariousness and it chimes with my interests in the social function and health benefits of singing.

fugitive frequency, season 5 episode 3: DHAM DHAM Foundations

Four figures peer into the screen of a laptop.

Dham Dham began as a three day workshop, “Thalaam Riddim Reapers” to introduce free digital music productions tools at DreamSpace Academy during Dinacon 3, 2022. In 2024, it evolved into a 10 day “bootcamp”, Dham Dham Riddim and in June 2025 it will rejoin Dinacon at Sea Communities and Les Village to lead a research Node, “Sonified Plastics”. This episode revisits conversations, field recordings and music made in Batticaloa to tease out some of the ideas and context that gave rise to the “Dham Dham Method”. Featuring the voices of: Dinoj M., Lucinda Dayhew, SajaS, Kishoth Navaretnarajah, Andrew Quitmeyer and Hannen Wolfe. Music is from the Dham Dham Riddim EP (2024) [Bandcamp], alongside recordings made in Batticaloa during Dinacon 3 and Dham Dham Riddim.

As suggested by Kishoth Navaretnarajah, co-founder of DreamSpace Academy, the “Dham Dham Method” is somewhat elusive. It is shaped by the role of music, (digital music) skill-sharing and cultural exchange in “peace-building” post-war, post-genocide Sri Lanka. It is a culture of commoning, making use of free/libre and open source tools and informal processes of collective learning. This was necessary for the circumstances in Batticaloa. Sri Lanka had already declared itself bankrupt by the time Dinacon convened there in July 2022, and was in the midst of a fuel, energy and political crisis, as President Gotabaya Rajapaksa was usurped just days after we arrived. Indeed, I propose that making technology accessible and malleable and developing digital literacy via music is foundational to the Dham Dham Method. It is inherently collaborative, open to differing skill sets and is all for having fun—which is crucial to the learning process. And as Dinoj and SajaS discuss, it promotes reciprocity—once you have learnt something you are encouraged to pass it on.

An important aspect arose from the enthusiasm of participants in Dham Dham Riddim. This might simply be due to making time and space and finding a legitimate reason to pursue people’s passion in making music. This is something that Dinacon co-founder Andy Quitmeyer touched on during a address delivered at DreamSpace, where he expressed his frustrations with academia because it put up so many obstacles to simply pursuing one’s curiousity.

Passion, enthusiasm and curiousity are also ideas that DreamSpace invests in, as it encourages and facilitates a post-war generation to pursue their interests in order to become “change-makers”, empowering themselves and their communities. For DreamSpace and Batticaloa, this is inherently entrepreneurial as there is a need for youth to make an income and local opportunities are slim. So, leveraging the affinity between people who share similar interests is crucial to developing friendships, networks and opportunities, and underscores the Dham Dham Method. “A bunch of weirdos hanging out together” is how Luci phrases it, or as Dinoj M. puts it: “working together to get things done.”

fugitive frequency, season 5 episode 2:A Close Listen to Rojak Radio Rojak

SAM Residencies “Out of Office”, 17–19 January /24–26 January 2025.


“A Close Listen” is an audio fanzine documenting Rojak Radio Rojak made for SAM Residencies “Out of Office” programme during Singapore Art Week, 17–26 January 2025. It features excerpts from two live broadcasts: “What’s in A Voice?” with Suvani Suri [Instagram] and “Learning Together – Alternative Pedagogy and Art Schools” with Engy Mohsen [Instagram], both supported by Angela Pinto and Seline Teo from SAM Residencies. The centrefold is a sound piece “Do you have in mind someone else, or do you sometimes think of them as yourself” (2024) by Huijun Lu [Instagram].

We were all SAM residents in 2024, but we didn’t all meet, so radio became a third space to connect. Both Suvani and Engy produced “scripts” that were the basis of these live broadcasts, which remain accessible on GoogleDocs. Suvani’s is here and Engy’s is available here. With radio as the stage we uncovered some interesting resonances and overlaps in our interests in sound, voice, pedagogy and ephemeral spaces.

fugitive frequency, season 4 episode 11: 200 Suaves b2b DJ BACKLASH, MISS READ Berlin 2024

Illustrations of a figure in a balaclava (200 Suaves) layered over a black magpie (fugitive productions). Another layer of text reads: "Teoria falta barrio"-

200 Suaves [Instagram] from Mexico City going b2b with fugitive radio’s DJ BACKLASH recorded live at the opening party of MISS READ Art Book Fair Berlin, at Haus der Kulturen der Welt, Friday 11 October 2024. The recordings were made by Eddie Choo from lumbung radio and Station of Commons and 200 Suaves’ alter-ego, Icnelly representing Radio Nopal. They have been edited to fit the time slot.

fugitive frequency, season 4 episode 3: The Dham Dham Method

Participants in Dham Dham Riddim are clustered around computers and MIDI controllers.

A conversation between Dinoj M [Instagram] and SajaS [Instagram] of DreamSpace Records, artist Lucinda Dayhew [Instagram] and myself, Sumugan Sivanesan. Together we co-organised “Dham Dham Riddim”, a nine-day intensive music production “bootcamp”, held between 21 and 29 February at DreamSpace Academy, Batticaloa, Sri Lanka. The workshop sought to introduce people to digital music production across a series of sessions that progressed from field recording to sampling, from rhythm programming to lyric writing, and then on towards making a song that will contribute to a compilation album or EP. It emphasised using free, open source and accessible tools, with a focus on the digital audio workstation, Reaper. It arose out of a three-day workshop “Thaalam Riddim Reapers” we organised at DreamSpace Academy as part of Dinacon 3, 2022.

The episode also features the voices of participants in the programme including: Sivanathan Nivethika, Rameshkumar Sathursaan, Sajanthan Vasanthakumar, A.H.M. Asaath, A.S. Sajeeth, Thavarasa Jeyashanth, Velrajan Rohan, Ravichandran Jeroem, Chandrujaan Sathiyamoorthy, Yash Kirirajah, Kabilashini Balakrishnan, Anantharajah Ajai, Mokeethan Sathiyamoorthy, Suresh Ashwin, Raviraja Rishahari, Sakithyan Jeyakumar, Christy Suthakaran Abiyashap, Christy Suthakaran Joshua, Joseph Jesreyal Jeyashanth, Dinoj Mahendranathan, Sajani Sivasithamparapillai and Nirushika Pragash…I hope I’ve not missed anyone!

Lucinda Dayhew and Sumugan Sivanesan’s travel was funded by Goethe-Institut Germany.

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