RUB


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The cyclical originates in the cosmic, in nature: days, nights, seasons, the waves and tides of the sea, monthly cycles, etc. The linear would come rather from social practice, therefore from human activity: the monotony of actions and of movements, imposed structures. (Lefebvre 2004, p.8)

Having re-purposing EDM as ‘experimental dance music’, I’m wondering how practices of rhythm abstraction modulate what Lefebvre describes as ‘linear rhythms’. These are structured institutionalised rhythms that one associates with work, transport schedules, school; how one organises time to meet deadlines, juggle commitments and other time-sensitive institutional pressures, with the social also being an institution. These rhythms run concurrently with ‘cyclical rhythms’ such as the setting and rising of the sun and the phases of the moon. Cyclical rhythms can expand out to cosmological proportions, can they also be perceived at the level of particles?

During this time of pandemic and while bracing for a Northern winter, I’ve been thinking to open a room in an online multiuser audio streaming platform; an EDM ‘club’ on SonoBus that is also open to sound clash and other kinds of interventions.

Naming the room ‘RUB’ is a joke of sorts, because it’s not physically possible to do so in such a space. RUB is a club with a no body policy — literally no bodies in the room — but you can take the club to your room and to your body. While this absent-presence might spark braindance-induced sonic fictions, it also emphasises sonic friction, given that physically gathering may be difficult during these times. As a room for deep bass explorations, beat psyence and riddim methodologies, RUB emphasises sound as a haptic sensation, as changes in air pressure vibrate the sensitive organs of our inner ear; sound pressure that scales up with volume.

Scheduling RUB on the night of the new moon, a ‘cyclical rhythm’ according to Lefebvre and the darkest night of the lunar phase cycle, situates a practice of abstracting rhythms within interacting rhythmic categories. Rather than selecting a regular day of the Gregorian calendar (eg the first Tuesday of each month as is fugitive frequency), RUB proposes to modulate the governance of patterns and habits that arise from them. It’s seemingly irregular placement (Wed 6 October, Thur 4 November, Sat 4 December in 2021) is akin to a ‘shifting one’ in music composition, where the stress or the accent of the beat moves (with repetition) over time. Will RUB synergise with or clash against other scheduled events? Will anyone listen? Would anyone intervene? Given that RUB will begin on the first new moon following the Autumn Equinox (22 Sept 2021), it seems fitting that it’s first season should run until the Spring Equinox (20 March 2022). I’m told timing is everything…

Live broadcast Under A Fooled Moon

SonoBus interface

A recording of the live broadcast of our radiophonic ‘closing ceremony’ for Suva’s exhibition, ‘Untitled’ at Myymälä2, Helsinki.

Participants gathered ‘Under a Fooled Moon’ in the gallery and on SonoBus, a multi-user audio streaming platform, for a live improv session that was streamed on openradio.in Using our voices, Suva guided us through a collective experiment in performing networked radio infrastructure as one would play a musical instrument.

The event was devised in collaboration with Sophea Lerner and Timo Tuhkanen.

‘Under a Fooled Moon’ a Radiophonic Closing Ceremony for Suva ‘Untitled’.

Suva Closing Ceremony

9 May 2021 from 17.00
Myymälä2, Helsinki
SonoBus Private Group: underafooledmoon
openradio.in

fugitive radio is convening a collective radiophonic ritual, gathering ‘Under a Fooled Moon’ for a live improv session led by Suva. Guests are asked to bring FM radio receivers, earbuds, smartphones and bluetooth speakers to open a portal between parallel (sonic) universes; you can join onsite at Myymälä2 gallery and online at the SonoBus Private Group: underafooledmoon. The situation is being devised in collaboration with Sophea Lerner and Timo Tuhkanen.

If you are curious to join online or in the gallery with your smartphone, SonoBus is a multi-user platform for streaming audio. It’s great for jammin’. The app is free to download and is available for a range of operating systems, devices and as an audio plug-in: https://sonobus.net/

The event will be streamed live to https://openradio.in/live

From 30 April until 9 May 2021, the Helsinki-based artist Suva exhibits a large series of watercolour portraits of ‘protagonists’ and instrument-sculptures that will be brought to life during impro-performances at Myymälä2. ‘Untitled’ is supported by Artists at Risk. See the Facebook event for dates and times.

fugitive radio is an artistic-research project initiated by Sumugan Sivanesan to research migrant/anticolonial perspectives and music in the North and pursue radio-as-method. fugitive radio is funded by the Kone Foundation and is being made in collaboration with Pixelache. Live broadcasts are supported by {openradio}.

fugitive frequency episode 05: Jammin’

Stevie

Jammin’ is a mashed-up sonic (anti-)ethnography of online multi-user audio streaming platforms such as Jamulus and SonoBus — MUDs for musos. A montage of recordings made in various jam rooms I entered or initiated in April 2021 have been edited together with excerpts from a conversation I had in November 2020 with Helsinki-based artist Suva [Facebook] and a recording from one of his recent performances.
Special thanks to ‘Europe session’, ‘Jazz so what’, ‘probando‘, ‘talktesttrytipstricks‘, ‘1234_Portugal‘ and ‘Hum Club‘ amongst others. Also a shout out to Peter from Exerzierstraße for introducing me to these spaces and who also makes a cameo.

Suva’s exhibition ‘Untitled’ [Facebook], comprising of a series of water colour paintings and sculptural instruments, can be experienced at Myymälä2 Gallery, Helsinki from 29 April – 9 May 2021. fugitive radio will be presenting a closing ceremony ‘Under a Fooled Moon’ [Facebook] on Sunday 9 May which guests can join in the gallery or on SonoBus.

Music, media and references
Stevie Wonder illustration by Al Harper for the cover of Hotter Than July (1980)