fugitive frequency, season 6 episode 7: DHAM DHAM cycles

Poster for "Thaalam Riddim Reapers" workshops by Brendy Hale. At Dinacon 2022, DreamSpace Academy, Batticaloa, Sri Lanka

Initiated as a 3-day workshop, “Thaalam Riddim Reapers”, at Dinacon 3 Digital Naturalism Conference at DreamSpace Academy, Batticaloa 2022, it expanded into a 9-day “DHAM DHAM Riddim” Bootcamp at DreamSpace in 2024. In 2025 it evolved as the instrument building-project “Sonified Plastics” during Dinacon 2025 at Sea Communities, Les, Bali  and it will soon arrive in Berlin as an 8-day intensive at 90mil, 20–30 July 2026.

“DHAM DHAM cycles” features conversations with collaborators [all links to Instagram] Luci Dayhew, Dinoj M, SajaS in Batticaloa and Pipin and Wira, in Les, and Sanjey Sureshkumar who founded SASUSU Radio in Tromsø, Norway. It also features the often singing voices and music produced by of numerous participants including: Yash, Abhi, Kabi, Sakithyan, Wilan, Naya, Rangga and many more. Also included is a short interview with Putu Eka Darmawan, an entrepreneur and inventor of a plastic recycling system in Bali.

“Thaalam Riddim Reapers” poster by Brendy Hale, 2022.

Music featured in this podcast includes:

fugitive frequency, season 6 episode 6: “Yowana Rising: Youth, Culture & Change in Les Village Bali”

Adat indigenous youth learn tradtional dance at Les Village, Bali, Indonesia.

A glimpse into the lives and concerns of young people in Les Village, one of the oldest villages in Bali, Indonesia. Desa Les is a fishing and farming community led by Adat traditional authorities. Nestled between mountains and ocean, it boasts vibrant cultural arts traditions, a bustling market and a unique food culture. It was awarded Best Tourism Village by Anugerah Desa Wisata Indonesia (ADWI) 2024.

This podcast focuses on the concerns of young people negotiating tradition with the contemporary digitally-networked world.The burgeoning tourism industry in the north of Bali (Buleleng) brings economic opportunities but also the threat of exploitation, the weakening of cultural integrity and law, and environmental degradation.

Recorded by the community on smart phones, this podcast hosted by Wira Artwan features Putu Sutchi, Augus, Tika, Rani, Bama, and Mia who all belong to Yowana Nawasena, a youth organization; Mang Rut, a young award winning village artist-entrepreneur; Nyoman Diem, gamelan teacher and one of the village leaders, and Pak Jero Pasek, the adat or traditional head of the village. Listen to them discuss daily life, arts, culture and religion—including the significant Galungan ceremony—tourism, and their thoughts about bridging ancestral knowledge with modern culture.

The podcast features music by Dinoj M. [Instagram], a young musician and artist from Batticaloa, Sri Lanka, who visited Les during Dinacon Digital Naturalism Conference 2025, hosted by Sea Communities.

Credits
Concept & Script writing: Sea Communities and Yowana Nawasena
Editing: Wira Artwan
Music: Dinoj M, Nyoman Diem, Bama, Wira
Producers: Sea Communities & fugitive radio
Commissioned by Futura Tropica Netroots for Strata Biennale

fugitive frequency, season 6 episode 3: DreamSpace Records presents “Samugathin Kural”/Voice of the Community

DreamSpace Records presents “Samugathin Kural”/Voice of the Community.

All links below are Instagram!

An audio document of an event “Sumugathin Kural”/Voice of the Community” organised by Dinoj M. of DreamSpace Records at DreamSpace Academy, Batticaloa, Sri Lanka, 6 February 2026. This podcast features in chronological order: Yash & Abi performing “Wings of Life”, Sakithyan J performing “Uyir Thamizhaa”, Ajai Rajah performing “Mattu Nagar” followed by an “interactive” jam session/sing-along! It closes with Dinoj M. and myself perfoming “Boomi Azhugudhu”.

fugitive frequency, season 6 episode 2: Pongal with SASUSU Radio


This month’s episode is an edited rebroadcast of a live event organised by SASUSU Radio in Tromsø, Norway. It took place on Friday 16 January 2026, during Pongol, a harvest celebration in the Tamil month of Thai that is like a new year. The event was organised as a fundraiser for flood relief in Sri Lanka, in the aftermath of Cyclone Ditwah which made landfall in late November 2025. You’ll hear from: Sanjey Sureshkumar, founder of SASUSU; Anuradha Gayanath Abeykoon Jalath Pathirana a Sri Lankan living in Tromsø; Dinoj M. [Instagram] musician, artist and head of DreamSpace Records, Batticaloa and myself.
Many thanks to radio technician Grusha Pankert and Magnus Skei Holmen who cooked for the event.

We debuted a collaboratively made track produced as a “digital gift” for contributors to the flood relief campaign. Feel free to download and share:

fugitive frequency, season 5 episode 8: learning from Les

A sunset along a pebble beach at Les Village Bali. In the foreground is a local fishing boat, recognisable for its curved "ski".

A collection of field notes from Les Village, North Bali recorded during Dinacon Digital Naturalism Conference, 22 June– 23 July 2025 with Sea Communities. It features voices and contributions from Pak Garri Bernal (Sea Communities), Jro Pasek (Les village leader), Bajra Suara Girilestari Desa Les (Rindik group) recorded by Dinoj M. Local divers Gombal (Nyoman Teriada), Gombal’s father known as Kakek (grandfather) and Pak Eka (Made Merta) were interviewed by Tessa Zettel. From Sea Communities we hear from Wira, Pippin (Luh), Putu, Naya, Wilan, Rangga, Komang, Pak Komangwi and Luh in collaboration with Lucinda Dayhew. The song “Bali Ayu” was written and produced by Dinoj M in collaboration with Wira Artawan, using samples from a recording of Bajra Suara Girilestari Desa Les.

Many thanks to all from Dinacon 2025, especially Andy, Lee, Paula, Sid for all the work they put into making it happen. It was like a dream!

fugitive frequency, season 5 episode 3: DHAM DHAM Foundations

Four figures peer into the screen of a laptop.

Dham Dham began as a three day workshop, “Thalaam Riddim Reapers” to introduce free digital music productions tools at DreamSpace Academy during Dinacon 3, 2022. In 2024, it evolved into a 10 day “bootcamp”, Dham Dham Riddim and in June 2025 it will rejoin Dinacon at Sea Communities and Les Village to lead a research Node, “Sonified Plastics”. This episode revisits conversations, field recordings and music made in Batticaloa to tease out some of the ideas and context that gave rise to the “Dham Dham Method”. Featuring the voices of: Dinoj M., Lucinda Dayhew, SajaS, Kishoth Navaretnarajah, Andrew Quitmeyer and Hannen Wolfe. Music is from the Dham Dham Riddim EP (2024) [Bandcamp], alongside recordings made in Batticaloa during Dinacon 3 and Dham Dham Riddim.

As suggested by Kishoth Navaretnarajah, co-founder of DreamSpace Academy, the “Dham Dham Method” is somewhat elusive. It is shaped by the role of music, (digital music) skill-sharing and cultural exchange in “peace-building” post-war, post-genocide Sri Lanka. It is a culture of commoning, making use of free/libre and open source tools and informal processes of collective learning. This was necessary for the circumstances in Batticaloa. Sri Lanka had already declared itself bankrupt by the time Dinacon convened there in July 2022, and was in the midst of a fuel, energy and political crisis, as President Gotabaya Rajapaksa was usurped just days after we arrived. Indeed, I propose that making technology accessible and malleable and developing digital literacy via music is foundational to the Dham Dham Method. It is inherently collaborative, open to differing skill sets and is all for having fun—which is crucial to the learning process. And as Dinoj and SajaS discuss, it promotes reciprocity—once you have learnt something you are encouraged to pass it on.

An important aspect arose from the enthusiasm of participants in Dham Dham Riddim. This might simply be due to making time and space and finding a legitimate reason to pursue people’s passion in making music. This is something that Dinacon co-founder Andy Quitmeyer touched on during a address delivered at DreamSpace, where he expressed his frustrations with academia because it put up so many obstacles to simply pursuing one’s curiousity.

Passion, enthusiasm and curiousity are also ideas that DreamSpace invests in, as it encourages and facilitates a post-war generation to pursue their interests in order to become “change-makers”, empowering themselves and their communities. For DreamSpace and Batticaloa, this is inherently entrepreneurial as there is a need for youth to make an income and local opportunities are slim. So, leveraging the affinity between people who share similar interests is crucial to developing friendships, networks and opportunities, and underscores the Dham Dham Method. “A bunch of weirdos hanging out together” is how Luci phrases it, or as Dinoj M. puts it: “working together to get things done.”

fugitive frequency, season 4 episode 3: The Dham Dham Method

Participants in Dham Dham Riddim are clustered around computers and MIDI controllers.

A conversation between Dinoj M [Instagram] and SajaS [Instagram] of DreamSpace Records, artist Lucinda Dayhew [Instagram] and myself, Sumugan Sivanesan. Together we co-organised “Dham Dham Riddim”, a nine-day intensive music production “bootcamp”, held between 21 and 29 February at DreamSpace Academy, Batticaloa, Sri Lanka. The workshop sought to introduce people to digital music production across a series of sessions that progressed from field recording to sampling, from rhythm programming to lyric writing, and then on towards making a song that will contribute to a compilation album or EP. It emphasised using free, open source and accessible tools, with a focus on the digital audio workstation, Reaper. It arose out of a three-day workshop “Thaalam Riddim Reapers” we organised at DreamSpace Academy as part of Dinacon 3, 2022.

The episode also features the voices of participants in the programme including: Sivanathan Nivethika, Rameshkumar Sathursaan, Sajanthan Vasanthakumar, A.H.M. Asaath, A.S. Sajeeth, Thavarasa Jeyashanth, Velrajan Rohan, Ravichandran Jeroem, Chandrujaan Sathiyamoorthy, Yash Kirirajah, Kabilashini Balakrishnan, Anantharajah Ajai, Mokeethan Sathiyamoorthy, Suresh Ashwin, Raviraja Rishahari, Sakithyan Jeyakumar, Christy Suthakaran Abiyashap, Christy Suthakaran Joshua, Joseph Jesreyal Jeyashanth, Dinoj Mahendranathan, Sajani Sivasithamparapillai and Nirushika Pragash…I hope I’ve not missed anyone!

Lucinda Dayhew and Sumugan Sivanesan’s travel was funded by Goethe-Institut Germany.

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