rádio contra o trabalho do Instituto Procomum transmitir ao vivo quinta-feira 21.10, entre 18-20horas!
rádio contra o trabalho convenes a working group at Instituto Procomum, Santos, São Paulo. Over three consecutive evenings we will collectively explore streaming audio/radio using free, open source or otherwise accessible tools.
I very much appreciate Gustavo, Fabio, Igor, Almir, Fernando and Danielo joining on a chilly rainy evening alongside Calu, our remarkable interpreter.
I first came to Procomum almost exactly four years ago, where I initiated ‘almoço contra o trabalho’ as part of the organisations LabXSantos artist residency program, November 2018. Notably this was right after the presidential election. Here, I was luck enough to meet and collaborate with the very talented Diego Andrade [Instagram] and Victor Sousa [Instagram]. Diego is currently off the radar, nevertheless it was great to reconnect with Victor.
As expected, there have been some technical hiccups. Initially, my laptop went down and refused to reboot. After an anxious afternoon trouble shooting online and visiting a Mac repair agent in Santos, it seems that the problem was with the power source at Procomum. Then as Victor and I attempted to set up a podcast studio computer we were unable to connect to the internet due to a modem problem. ‘This is how it is in the third world’ quipped Victor, shrugging it off. As a work around I sought out free and accessible audio streaming tools that could work on Android devices. As expected, I stumbled on incompatibility issues between apps and platforms. Certainly, this is an issue that fugitive radio emphasises with its interest in radio as a social practice with experimental technology. Nevertheless it remains frustrating! While Gustavo located another modem to bring our computer online, the group decided to investigate Twitch as a popular and accessible streaming tool that could be used during the upcoming Virada Cultural weekend of events in Santos, 22–23 Outubro.
I was taken by the term gambiarra that Danielo used to describe his practice, which I understand as a kind of hacking, adhoc and improvised approach to getting things done and reminds me of what Suva Das described to me as jugaad technology in India. According to artist Giuliano Obici in Gambioluthiery: Hacking and DIY in Brazil [PDF], gambiarra has a distinctly Brazilian twist, related to notions of antropofago and carnevale; reversing “the order of artifacts, serving as a carnivalization of technique, technology and design.” Obici is concerned with musical instruments and sound art practices, proposing that his: “Gambioluthiery reinforces connections between sound and its materiality as well as the paradoxical gaps between advantage and limitations that techno-consumption produces globally.”
