fugitive frequency, season 3, episode 10: post-apocalyptic partying with Juan, Selfies & Sandro, Radio Tropiezo

This month’s episode is a conversation with Juan, Selfies and Sandro from Radio Tropiezo, that is part of the collective Cráter Invertido [Instagram] in Mexico City. Radio Tropiezo is involved in the lumbung radio/Station of Commons network and we met recently in Berlin during the Miss Read Berlin Art Book Festival & Fair, 22–24 September at Haus der Kulturen der Welt. Selfies and Sandro, who are also part of the DJ collective Chakanais [Soundcloud], and Juan DJ’d the opening party of the 3-day event in HKW’s restaurant and bar.

Our conversation touches on the post-apocalyptic party culture of Mexico city and features excerpts of their sets — Selfies and Sandro spinning cumbia and Juan playing high energy Italo disco and house. Many thanks to Eddie from Station of Commons for these recordings.

fugitive frequency, season 3, episode 9: Κρατήρας with Jitsa Kon

Demonstrators hold a banner at the “Womens Strike”, Athens, International Womens Day, 8 March 2023.

This episode features and interview with Athens-based choreographer Jitsa Kon [Instagram] recorded in March with Anastasia Diavasti, artist and founder of the feminist platform NTIZEZA [Instagram]. We discuss the durational dance-research practice Κρατήρας (Crater), initiated by choreographers Vitoria Kotsalou [Facebook] and Michael Kliën. I first encountered Κρατήρας in front of the Olympia Municipal Music Theatre Maria Callas which was then being occupied by students [Instagram] protesting policy changes that devalued their education and thus professional standing and opportunities. Interspersed throughout the podcast are recordings made during the march marking International Womens Day, 8 March in Athens and a performance by “Chrishanti and friend” recorded outside Rex Theatre, also in central Athens, and that was also being occupied [Instagram].

This episode was made possible by Onassis AiR.

“Karaoke Theory/Karaoke Therapy”, Acta Academiae Artium Vilnensis 109, 2023

A cartoon by Olav Westphalen (2021). A professor, with black hair and glasses and a student with light hair, sit at a desk. The professor is holding a copy of the student’s thesis and in the speech bubble she says: "As your supervisor, I recommend a much smaller font," Student thought bubble: "Brilliant" Professor continues: "You don’t want people to actually read this."

Cartoon by Olav Westphalen (2021),lifted from the X-disciplinary Congress on Artistic Research and Related Matters, Vilnius Academy of Arts, October 14-17th, 2021.

Acta Academiae Artium Vilnensis: The Uses and Abuses of Artistic Research in Post-Disciplinary Academia, No. 109, 2023.

Editors of this issue: Aldis Gedutis, Vytautas Michelkevičius

https://aaav.vda.lt/journal/issue/view/aaav109

This Acta Academiae Artium Vilnensis (AAAV) issue brings together selected papers presented during the congress. Some of the articles are written by scholars and some by artist-researchers from all around the world. Aldis Gedutis and Vytautas Michelkevičius lay the ground for artistic research and discuss the labyrinth of inter-, trans- and other prefixes in arts and sciences as well as justify the trans-epistemic community as the caretaker of artistic research. John Hillman claims the practice is a symptom of research, while David Maroto presents “fictocritical” writing as a lifesaving boat for artists who want to seamlessly merge their fiction writing skills with (critical) theories. Magda Stanová guides us to artistic thinking in scientific research, while Greg Bruce flies us over the Atlantic Ocean and presents outlines of the local (Canadian and French-speaking world) concept of artistic research – research-creation. Bettina Minder and Pablo Müller return us back to earth in order to see how artistic research works in doctoral programs and courses in Switzerland. Andrew J. Hauner helps us witness an experimentally written research paper and question the existing formats of research outcomes. Raivo Kelomees proposes and defends a challenging hypothesis about the animistic relationship between a viewer and an artwork, whereas Sumugan Sivanesan allows us to swing and linger between karaoke theory and therapy. Finally, Christiane Keus proclaims the present condition as Postresearch!

fugitive frequency, season 3, episode 8: “Risky Business” with Mariam Elnozahy

Sumugan Sivanesan and Mariam Elnozahy in the foreground, with their backs to the camera, are seated at a table in front of a laptop. In front of them is the vegetable garden of the Jan van Eyck Academie. People are gathered here in the sunshine during open studio, 2023.

This month’s episode “Risky Business” is a conversation with curator, writer and researcher Mariam Elnozahy, recorded during a live broadcast at the Jan van Eyck Academie’s Open Studios, 24 June 2023. Our discussion takes its cues from a statement issued from Jan van Eyck participants concerned with the unclear expectations and “unacceptable conditions of labour” that shaped this much anticipated three day public event. It circulates around issues of artistic production, professional practice and the commodification of identities with reference to exhibition making. Furthermore, this podcast demonstrates how a practice of fugitive radio can offer a counter-platform to circumvent the well established trope of institutional critique in contemporary art.

The podcast begins with the voice of Rose Nordin from an earlier podcast, “NightShift: ‘Creative Labour’” that connects issues of work, artistic practice, sociability and the other intangible processes that contribute to professionalised arts. Interspersed in the podcasts are segments of electromagnetic noise made with Kim David Bots and computer riddims available on fugitive productions [bandcamp].

<a href="https://fugitive-productions.bandcamp.com/track/language-it-s-really-hard-to">language (it’s really hard to) by fugitive productions</a>

<a href="https://fugitive-productions.bandcamp.com/track/os-rdm">OS_RDM by fugitive productions</a>

image: “fugitive radio: outside inside open studios, with Mariam Elnozahy. Live broadcast from the Jan van Eyck Academie vegetable garden, 24 June 2023.” foto: Tessa Zettel.

The Fabulous Books are Bridges Art Book Fest, 8 & 9 July 2023

A hand coming from the left of the frame holds the top edge of a poster promoting The Fabulous Books are Bridges Art Book Fest. In the background is a bushy plant with flowers.

Presentations by Nazir Fadzilah of SVARA art journal and Tintabudi Bookshop (Kuala Lumpur), Priya Jay of Future Commons and STUART and Beatrix Pang of Zine Coop and Small Tune Press (Hong Kong). The panel was organised by Rose Nordin of STUART and Rabbits Road Press (London) and hosted by PrintRoom (Rotterdam).

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fugitive radio is broadcasting live from The Fabulous Books are Bridges Art Book Fest, 8 & 9 July, organised by PrintRoom Rotterdam.

With: antoine lefebvre editions /Art Zines / Hon Books (Paris), Artists in Solidarity (Rotterdam), Beatrix Pang/ Zine Coop/ Small tune press (Hong Kong), Bebebooks (Gent), Bur-Rose (The Hague), Colorama (Berlin), Eleanor Vonne Brown / The Nose (Walton on the Naze), F.G.A.(Rotterdam), Futura Resistenza (Rotterdam/Brussels), Gloria Glitzer (Berlin), Good Neighbour (Amsterdam), Heiba Lamara /OOMK (London), Jap Sam Books (Prinsenbeek), Jesse Presse (Amsterdam), Knust (Nijmegen), Limestone Books (Maastricht), Lu Lin / Not just a collective (Arnhem), Mono Rhetoric (The Hague), Nazir Fadzilah/ SVARA art journal/ Tintabudi Bookshop (Kuala Lumpur), Onomatopee (Eindhoven), Other Forms Berlin/Chicago, Pei-Ying Lin (Taiwan/Eindhoven), PrintRoom (Rotterdam), Roots to Fruits (Arnhem), Rose Nordin / STUART/Rabbits Road Press (London), Sarmad Magazine (Rotterdam), Stefanie Leinhos (Leipzig), Tender Hand Press (Glasgow), Teuntje Fleur (Schiedam), The Eriskay Connection (Breda), This was a project… (Rotterdam), Unformed Informed (Rotterdam), Valiz (Amsterdam) and more.

fugitive frequency, season 3, episode 7: bioluminescence mix

An hour-long mix made for an installation by Jeanne Berbinau Aubry. Made live with Pioneer’s rekordbox software and DDJ–FLX4 controller, this mix is a record of the so-called “vapor rave” I’ve been playing lately.

Tracklist
01 Sinistarr & Stingray – “Untitled”
02 JLin & Zora Jones – “Dark Matter”
03 Hyph11E – “Barnacles (Kode9 Remix)”
04 Siu Mata – “Ngalah Oreyo x UMOJA – GALA GALA (Siu Mata Edit)”
05 DJ Marfox – “Lucky Punch”
06 Hyroglifics & Sinistarr – “BS6”
07 Ikonika – “Energy”
08 Loraine James – “Let’s Go”
09 EQ Why & Traxman – “Dsc”
10 NET GALA – “Reclaim It (ZULI’s Shifting Weight at the Club remix)”
11 Ayesha – “Downpour”
12 Amor Satyr – “Rebola”
13 Black Rave Culture – “Sub Poppin”
14 EL PLVYBXY – “A Pulmon”
15 JLin – “Auto Pilot”
16 Gant-Man – “Distorted Sensory (Kode9 Remix)”
17 RP Boo – “Off Da Hook”
18 Siu Mata & Amor Satyr – “Acidez”
19 Ayesha – “Dark Matter”
20 Hyroglifics & Sinistarr – “Turn Up”
21 JLin – “Connect the Dots”
22 Ziúr – “Collar Bone”
23 Sinistarr – “Nonlinear Threat”
24 Kode9 – “The Jackpot”

fugitive frequency, season 3, episode 6: “Four Cees and a Ka”, in conversation with Rosa de Graaf

LIVE RADIO RECORDING IN PROCESS FEEL WELCOME TO SIT & ENJOY (For this reason the sound works in this exhibition are currently switched off)

Rosa de Graaf is curator at Kunstinstituut Melly, Rotterdam. Recorded in May 2023, our conversation was instigated as a live broadcast at the Jan van Eyck Academie Maastricht, where fugitive radio is currently in residence. We address the thematics “Community”, “The Contemporary”, “Conviviality”, “The Curatorial” and “Karaoke” with reference to radio in exhibition practices. We touch on the work of artists Anna Witt and Ayeshah Hameed who have recently exhibited at Melly. This episode also includes audio excerpts from Anna Witt’s Soft Destructions (2023) video below and an episode of Ayesha Hameed’s podcast “Brown Atlantis Radio featuring Ananya Jahanara Kabir”, recorded at Melly in 2022. The main image lifted from Ayesha Hameed’s Instagram, taken during her broadcast at Melly,

Onassis AiR Open Day #6, 12 May: “fugitive feminist empathics”

A view of Vio.Me workers’ co-op, Thessaloniki. A skeleton structure, with the frame of a roof and a concrete base raised above a concrete carpark. Barrels can be seen behind a fence under the roof and wooden pallets are stacked in front. A short staircase is to the right.

Listen back to the broadcast on Movement Radio.
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Anastasia Diavasti of NTIZEZA [Instagram] and Sumugan Sivanesan of fugitive radio planned to research around a common interest in Cassie Thornton’s book The Hologram (2020) and their different approaches to (performative) radio. Spurred on by a timely meeting with Cassie when she was laid over in Athens in March, the duo set about working intuitively. They made recordings at the recent student occupations at Olympia Theatre [Instagram] and Rex Theatre [Instagram], visited the Vio.Me workers co-op in Thessaloniki and primed themselves for telepathy.

For Onassis AiR Open Day #6 they will host a live broadcast to play out their recordings and interviews, and reflect on the themes that emerge with invited guests. These include: dance, solidarity, SF, teargas and cats. It will combine spaces at Onassis AiR, Athens, with spaces at the Jan van Eyck Academie, Maastricht.

Guests include: Julie Bintje, Jitsa Kon and Mariam Elnozahy, Zahra Malkani & Derica Shields.

Listen in between 18.00–21.00 CEST / 19.00–22.00 EEST on {openradio} and Movement Radio Live 2.

fugitive frequency, season 3, episode 5: Where’s Charles?

This month’s episode is in conversation with Charles Esche, director of the Van Abbemuseum, Eindhoven, Professor at the University of the Arts London, and a renown curator and researcher. It was recorded during a studio visit at the Jan van Eyck Academie, and initially broadcast live as a “porosity session” on the morning of 26 April 2023. I was curious to probe Charles for his thoughts about the recent appearance of radio in contemporary art, and specifically about the inclusion of ruangrupa’s RuRuRadio in the 31st São Paulo Biennal 2014 (main image), for which he was part of the curatorial team. I also asked him to bring in some music. No spoiler! Listen on to hear his selections.

fugitive frequency, season 3, episode 4: NightShift, “Creative Labour”

A group of people with their backs to the camera are crowded around a shopfront entrance on a chilly night.

“Creative Labour” is the first audio fanzine documenting NightShift, an all night publishing-performance-happening occurring over March 2-3, 2023, at Limestone Books in Maastricht [Instagram] and made in collaboration with Rose Nordin. We streamed live for six hours straight on πnode and {openradio}.

In order of appearance “Creative Labour” features the voices of:
Riar Rizaldi whose film Becquerel (2021) screened before the broadcast, Maud van den Beuken who gives a live audio description followed by Merien Rodrigûes (São Paulo) [Instagram] and Anastasia Diavasti (Athens) [Instagram] who dialed in their audio descriptions. Chen Jehn, one of the proprietors of Limestone Books discusses their ideas for the shop with prompts from book artist Michiel Romme and Kim David Bots, who also contributed live improvised music. There is a brief excerpt from a pre-recorded interview with Jo Frenken who established the print studio at the Jan Van Eyck Academie and Rose Nordin gets in the last (delirious) word. Wen Hsuan Chang’s audio piece Paper Ripping Paper can be heard in the background, alongside the music of the Commodores.

Foto: Maud van den Beuken